16. Non-Proprietary Camp: An editorial by Michael Porter. Aside from certain paranoid stand-up comics, who would claim to “own” a joke? ...

15. Hellcats: “Kiss Me, Kate” reviewed by Louise Ebersdorf. In the midst of revolution, the best ploy is to remain calm and appeal to a...

14. Distances: New Film Reviews by Pippa Hammet. ​ Louise’s dance studio is finally ready, and ballet rehearsals have begun on the...

13. Benign Irrationality: Review of “I Married an Angel” by Cheryl S. Because she has reservations about the Encores series as the main...

12. Cat’s Cradles: Art Exhibitions Reviewed by Pippa Hammet. When you construct a proper cat’s cradle, you really need two people (four...

11. Hands-On: New York City Ballet Reviewed by Cheryl S. On the potential work-front, no word from Wonkov in Yakutsk. Sandy says no...

10. Free Solos: Movie and Concert Reviews by Pippa Hammet I don’t know how insights arrive in your life, but I have three basic styles...

9. Going Viral: A Review of New York City Ballet by Cheryl S. So much can happen so quickly! Especially if you have an assistant like...

8. Regression Therapy: Review of “Merrily We Roll Along” by Louise Ebersdorf Sometimes, boys and girls, life does indeed imitate art. ...

7. The Sacred Fount: A Ballet Scenario by Michael Porter, after Henry James The Interpretation ​ Since Henry James’ novel The Sacred...

6. Feelies and Movies: Reviews of New Films by Pippa Hammet. Critically speaking, think of me as the cinematic love child of Parker...

5. The Cracker of Nut: A Spell and A Review by Madame Sesostris ​ A Spell: ​ I’m sitting in my storefront window – there are now Many...

4. Reconstructive Ballet: A Conversation with Liane Beach ​ The interview was conducted in New York City over brunch at Prune on a...

3. Quarantined: A Review of “Suspiria” (2018) by Louise Ebersdorf ​ I swear I’m not Tilda Swinton under yet another pseudonym. As you...